Showing posts with label Steven Pressfield. Show all posts
Showing posts with label Steven Pressfield. Show all posts

Wednesday, July 7, 2010

Repetition


Back in May, I heard a story on NPR about a monk who had completed 1,000 days of walking meditation in order to reach the next level of enlightenment. This practice is called Sennichi Kaihogyo and takes place around Mount Hiei. It is unclear from poking around if the monks who undertake this practice primarily walk, run, or both... but the end result is the participant has essentially transversed a distance equal to the circumference of the Earth at the end of the 1000th day.

At the time I caught the broadcast, I had been thinking a lot about art, Buddhism, commitment, and forms of dedication... or rather, the ways in which we imbue meaning or purpose to action via consistent commitment/dedicated focus.

There is something powerful about renewed intention toward some aim or purpose. I'm not sure it even matters what it is we turn our attention toward (so long as it is not harmful or maleficent)... so long as we choose - again and again - to put our energy toward some form of expression.

Pressfield, I think would support this theory, as do the sometimes surprising pop culture or social phenoms sometimes thrust into success or rewarded with support, such as Matt Harding or Marina Abramović. And, of course, you find this sort of repetition of focus or activity via many world religions and spiritual philosophies.

I think, perhaps, we transcend the day-to-day when we shift something from the realm of mundane routine and elevate it into something extraordinary... simply by committing to repetition.

To dance in a silly way once or twice is one thing... to do it an infinite number of times in an infinite number of places suddenly transforms its meaning and purpose. Same with sitting in a chair, or taking a photo each day (think Smoke or check out this blog), or writing a daily blog entry, or asking the same question to hundreds of people.

I have been thinking about it a lot - this magic and miracle of repetition - and I think it may come down to this. These long-form processes of dedication (be they artistic, personal, spiritual, or whathaveyou) place us along two simultaneous paths of understanding.

1. Everything is special. Distilling experience to the level of recognizing it moment to moment often enables a perspective cognizant of how miraculous life is. All the time. Nothing is ever the same... and there is deep and magnificent, awe-inspiring grandeur in the singularity of experience we enjoy each second. I think this becomes more noticeable when we seek to capture it in some form... pin it down so we can record it and look at it and hold it up to the light.

Meanwhile...

2. Nothing is special. There is something profoundly simple in everything we might choose to do. All action carries as little and as much import as any other. Walking around a mountain is simply walking around a mountain - whether one chooses to do that one time or a thousand times. And once we move something from a space of unique to a space of routine, it offers the opportunity to better understand how our attachments define our perception of our actions. Particularly in the context of ego and the all-too-common pitfall of comparing our lives to the lives of others... or deciding we can't do something because it is too hard/too much/too big/etc.

There is beauty in seeing something again and again - and through repetition we are aware both of how singularly special everything is, and also how it is all one thing. How the lines of distinction we attach to name, form, substance... the ways in which we categorize or differentiate the things of our lives... how really it's all illusion.

There is no separation. No beginning. No end. It just is. And in that paradox, that circle of never-ending-never-beginning-always-ending-always-beginning, there is a kind of freedom and knowing one might glimpse. A moment of being defined as always/never/divine/mundane in which all things are... well, they just are.

That's my guess, at least. I'll let you know if my perspective changes should I ever walk across a mountain for a thousand days.

May you find renewal in repetition of all kinds. May your dedication (in whatever form it takes) bring you peace.

Monday, March 22, 2010

Gifts (Part II)


So as I was thinking about gifts, gift-giving, and an awareness of abundance last week, my husband made a comment one night about gifts we, as individuals, bring with us or cultivate during our lives.

It's a concept I had encountered many times before, but had never thought about in quite the way he put it. He said he was thinking about people who are born into money... specifically, the ones who seem to squander it or do nothing of meaning or purpose with it. The folks born with a silver spoon who never give anything of meaning back and therefore just move through life like bloated and entitled blemishes upon the body of humanity.

We loathe those people, generally. We see in them a selfishness and lack of compassion both startling and disheartening... and they tend to carry after them legacies of infamy, ill-repute, or at least deep sighs and shaking heads.

The point he made is that we are all born with gifts: things we do really well or seem to excel at in a way that sets us apart from those around us. Everyone has something like this. Maybe it's artistic, maybe it's organizational, or interpersonal, or physical... whatever. You've got some prowess and ability that is unique to you and undeniably special.

(Pressfield touches on this in The War of Art; he links it to God and the divine... but I think it's less important where it comes from and more important that you notice your strengths/blessings with honesty and gratitude.)

My husband (who has been navigating his own path of self-identity, career, and life-purpose) said he realized refusing to make use of one's gift, or find ways to share it with others in some fashion, was akin to being a myopic, avaricious rich kid who was blessed with unasked-for rewards and consumed them all without ever looking up to see who else might benefit from such wealth.

And when he told me this, I chewed on it for days... all weekend, in fact. I thought about seeing Ani DiFranco in concert and being blown away by her talent and hit with this indelible sense of "this woman is doing what she was put on this earth to do." And then I thought about the people I've met - teachers, counselors, artists, doctors, psychics, engineers, ministers - who called forth in me that same recognition... and awe... and envy.

It was not until very recently the envy started fading. An unflinching awareness of the ways in which I hold myself back has served to erase those displaced emotions. My joy remains my responsibility. My willingness to embrace the talents I possess - to see them as a compassionate response and fortunate opportunity - directly impacts my experience within the world and my level of happiness, peace, and personal fulfillment.

I have been better, lately, about sharing my gifts and utilizing my strengths in a mindful and compassionate manner. And - bit by bit - I am creating cracks in the self-imposed barriers I see between myself and the realization of various inner callings. I notice a greater sense of connection to those around me, and I feel more comfortable in my day-to-day being.

I think Buddha probably summed it up best: "Meditate. Live purely. Be quiet. Do your work with mastery. Like the moon, come out from behind the clouds! Shine."

May you discover and celebrate your singular talents. May your gifts bring you - and those around you - closer to something wonderful.

*Special thanks to Melinda Evans for taking this photo - from the booth! - during Too Much Light Makes the Baby Go Blind. You rock, girl!

Thursday, January 21, 2010

Boredom


Today I am bored with myself. Bored with my life. Bored with routine, with the walls of my apartment, with my non-job-ness, with inhabiting the world of a almost-four year old. Bored with a dog who won't stop peeing in the apartment, with cooking three meals a day and cleaning once a week and doing laundry/changing sheets/switching towels.

Once I acknowledged my feeling-state as boredom, I quickly realized no one was responsible for it save me. I also made the connection that boredom, for me, is very closely linked to sadness and ennui. And I use ennui here not to be snooty or throw around "10 cent" words... but because it really captures the more subtle connotations of the listless, mopey, sticky place I internally reside.

My gut instinct, in thinking about how boredom might tie in to Buddhist philosophy, was it belies a sort of dissonance of self. Boredom is the symptom, not the problem. It's simply a reverberation of some wiggling, uncomfortable, niggling area of unease - most likely an area of attachment or ego left entirely unattended and therefore running amok.

I also wonder if boredom results from actively evading a feeling state or "truth" I wish to remain hidden. After all, the use of the label boredom allows me to point fingers outside myself... naming some exterior other as the source of my problem.

Steven Pressfield (author of The War of Art) might label boredom "resistance" and suggest my state of ennui directly links to a decision to run away from or avoid my true calling - to work against action connected to my higher self and soul's purpose.

William Glasser (father of Choice Theory) would suggest I am choosing boredom - accepting and continually creating/embracing this feeling-state. He might say I am placing the power of my feelings within the domain of external sources, rather than taking responsibility for that which I control: my actions and expectations.

And the Buddhists? As with many spiritual pursuits, you will find many answers along your search for capital "T" truth. I think, as with many things in life, sometimes it helps to take it all in and do your best to synthesize a response that syncs up for you.

My impression at this point in my life: The first step is noticing and naming one's boredom. As I understand it, this relates back to a common Western habit - that of disassociating ourselves from our thoughts and feelings. By naming it, I can begin the process of letting go, which then (hopefully) leads to an eventual shift away from boredom/sadness into a more productive and less painful place.

And then... I have to allow myself to be in my boredom and sadness. Rather than running away from it, or using meta-cognition (thinking about my thinking) to avoid experiencing those feelings, or trying to subvert them through mindless activities (eating, surfing the web, wandering the house)... I have to be bored; I have to feel sad. I must allow myself time and space to think the bored/sad thoughts and feel the bored/sad emotions and go wherever I may go without holding on.

It's a very uncomfortable thing. I have tried it, and I didn't like it. But I noticed fully inhabiting my bored/sad state seemed to clear away some of my self-imposed smokescreens surrounding some other emotions... which ultimately link to choices I am making, attachments I have yet to acknowledge, and a lack of openness to my true self - my Buddha nature, as it were.

We are very hard on ourselves sometimes. We often avoid the reality of the darker side of ourselves in an effort to attain some imagined ideal of perfection. I believe we are a mixture of the human and the divine. We walk a physical and spiritual existence wherein we are beings of tangible and intangible forces. And in that dichotomous paradox, we struggle to balance between frailty and grace... sometimes forgetting both are true expressions of self.

May you accept and truly inhabit your thoughts and feelings today and gain greater insight. May you allow yourself to be who you are, where you are, without judgment or disappointment.

Wednesday, October 21, 2009

The Buddha Within


After many, many months of persistent prodding from my husband, I finally read The War of Art by Steven Pressfield. Very good book, by the way. Something I would recommend to anyone who feels there is a creative calling they are not following in some way.

Pressfield, in this book, speaks a lot about resistance and the ways in which we deny, derail, or disregard our inner natures... which he links with our true talents, our soul's purpose, and a higher calling.

This was particularly relevant for me - especially in this time of my life - because I am feeling a bit wayward and lately spend copious amounts of time trying to figure out what I should be doing with my life. This could be said, however, for the last 10 years or so of my life. Maybe longer. So that's rather important. That lost-ness. What I should be doing.

The "should" is the tricky part there, because - I believe - it connects more to the concerns and insecurities of my ego... a part of my psyche probably not best suited to making life-altering decisions or serving as a guide toward my higher purpose and authentic self.

But the ego likes to step in and insist on playing that role. Often. At least, mine does. Maybe yours does too. Maybe you have learned to ignore the little voice that strives so hard to sound bigger and more important than it really is... like a small child so used to being ignored she thrusts out her chin and shouts at the sky in an effort to be heard.

Anyway... ego aside, I really like what Pressfield says about the concept of purpose, our higher selves, and the authentic expression of our talents (which he believes are God-given... a point I am unlikely to argue). He argues to stifle your creative energies and talents is to deny the world the gift of what you have to offer. No one can do what you do. No one else has your voice, your eye, your mind, your soul... and so what you produce will invariably be unique and (dare I say it) perfect within the interconnected and intricate space of life because you are the only one who can do what you do.

It connected perfectly with something I had read a few days earlier in a book I bought for our daughter: A Pebble for Your Pocket by Thich Nhat Hahn. We randomly selected a story the other day and it just so happened to be about what Hahn names "the inner Buddha." He's talking about the non-ego self, the one that is connected to all things, all life, and is the most authentic and true expression of you that can be.

So... my focus and mindfulness exercise for the rest of this week (and perhaps beyond!) is to try and clear away the pushy, validation-seeking voice of my ego and to see if I can hear my true soul's call. Who am I - really - without the bells, whistles, fears, insecurities, past, future, etc.? What do I want to be doing? How am I preventing myself from my truest form of expression?

That last may be the most important. I am a woman of ideas. Always have grand plans and great schemes and beautiful dreams; but I rarely actually follow up on them... move them from the imagined to the tangible. It is, I feel, equal parts fear of failure and fear of success. It's my way of roadblocking myself. (Perhaps this sounds familiar...?)

So. No more roadblocks. Movement in the face of fear and work in the midst of inertia. I will not stop moving. Even if I don't know where I'm headed. It's still better to keep walking toward the light you have faith is real than to sit down and let the self-made darkness consume you.

Walk into your light. Listen to your truest voice. Don't be afraid.